
PERFORMANCES OF PETER PAN ARE FREE TO THE PUBLIC THANKS TO THE GENEROUS SUPPORT OF THE EVELYN W. PRESTON MEMORIAL TRUST FUND.
PETER PAN (1924)
One of the gems of the (silent) silver screen, this adapation of J. M. Barrie's classic delights children and adults as much
now as it did in 1924 (see the period New York Times review linked below, for a description of the 1924 audiences!). Directed by Herbert Brenon, this adaptation makes the Darlings and the Lost Boys come alive before your eyes.
We are pleased to be able to offer this classic film in the context it was meant to be seen - with live musical accompaniment.
THE STUNTMEN
Formed in Northampton, Massachusetts, in 1992, the Stuntmen create at the forefront of Insurgent Country (sometimes called Alt Country). Drawing on such broad influences as American roots music, country, and indie rock, their music has been described as “a rollicking blast of earthy garage rock … [that fits] nicely alongside such similar exercises in musical cross pollination as Wilco’s A.M.” (by esteemed indie music producer Mike Flood).
In 2002, The Stuntmen began working collaboratively with the Young at Heart Chorus, a group of seniors who perform everything from Frank Sinatra to Bob Dylan, Led Zeppelin to Outkast. The performances with the Young at Heart Chorus were so successful that they gave rise to a DVD live concert release and a European tour.
The Stuntmen offer energized, honest Americana at its very best. The group has released three full-length albums and has earned critical acclaim from such sources as Time and No Release.

Tunisian-born singer and oud (Arabic lute) virtuoso Dhafer Youssef’s hypnotic, Sufi-inspired music connects the ancient with the modern, the East with the West in an enticing coalescence of culture. Youssef draws on the evocative sound of his Islamic heritage, combining it with new directions in European jazz and “a voice that could stop wars” (Songlines) to create timeless atmospheres of sound. In his Real Art Ways debut, he is joined by compelling and exotic Vietnamese guitarist – Nguyen Lê and omnidexterous percussionist Satoshi Takeishi.

Wayne Horvitz - Piano and
Keyboards
Timothy Young - Guitars
Keith Lowe - Acoustic Bass
Eric Eagle - Drums
Formed in 1999, Sweeter Than the Day began simply as the acoustic incarnation of Zony Mash. The band played a series of weekly shows at Seattle's Baltic Room, and quickly became Wayne Horvitz’s first piano-based ensemble in over 10 years, and one of Wayne's longest-running groups, as well as one of his favorites. Despite the shared personnel, the ensemble is quite distinct from the electric Zony Mash and the repertoire is almost entirely different. The band has toured throughout the US, Canada and Europe. Sweeter Than the Day also presents double bills with Robin Holcomb, where it serves as Robin's backup band.
Wayne Horvitz is a composer, pianist, and electronic musician who has performed extensively throughout Europe, Asia, Australia, and North America. He is the leader of Sweeter Than the Day, Zony Mash, Pigpen, The Four plus One Ensemble and co-founder of the NY Composers Orchestra. He has performed and collaborated with Bill Frisell, Butch Morris, John Zorn (Naked City, etc.), Robin Holcomb, Fred Frith, Julian Priester, Philip Wilson, Michael Shrieve, and Carla Bley among others. He has been commissioned by the NEA, Meet The Composer, Kronos String Quartet, Seattle Chamber Players, Mary Flagler, BAM and others. Collaborations with choreographers include work with Paul Taylor with the White Oak Dance Project, Liz Lerman Dance Exchange, and Crispin Spaeth. Film work includes music and sound design for three PBS specials and Gus Van Sandts' "Psycho." He is the 2002 recipient of the Rockefeller Map Grant.